1、作品本身的藝術(shù)水平
1. The artistic level of the work itself
作品本身的藝術(shù)水平,才是衡量其價(jià)值的主要因素。這涉及到書(shū)畫(huà)的三境界:景物境界、筆墨境界和人文境界。一幅作品本身對(duì)山川自然“象其物宜”的描繪,就是景物的境界。可以看到它的技法、景色之美章法布局之妙。如果在景物的基礎(chǔ)上,還有“筆精墨妙”的筆墨境界那就更好。
The artistic level of the work itself is the main factor to measure its value. This involves three realms of painting and calligraphy: scenery realm, brush and ink realm and humanistic realm. A work's own description of the nature of mountains and rivers "as suitable as its objects" is the realm of scenery. You can see its techniques, the beauty of the scenery, and the layout of the rules. It would be better if there was a "fine brush and ink" realm based on the scenery.
的山水畫(huà)以筆取氣得其陽(yáng)剛之美,以墨取暈得其陰柔之美。筆墨的精妙可氣韻,氣韻生動(dòng)乃畫(huà)之高境。書(shū)畫(huà)作品的人文境界可以體現(xiàn)在題材、畫(huà)旨、畫(huà)趣、詩(shī)詞題跋等方面。
Chinese landscape painting obtains its masculine beauty by drawing qi with pen, and its feminine beauty by drawing faint with ink. The subtlety of brush and ink can give birth to verve, and the vivid verve is the high realm of painting. The humanistic realm of calligraphy and painting works can be reflected in the subject matter, painting purpose, painting interest, poem inscription and postscript, etc.
有些字畫(huà)的市場(chǎng)可能由于一時(shí)的社會(huì)環(huán)境或偶然事件造成它的上升或下降,比如書(shū)畫(huà)官員的卸任會(huì)導(dǎo)致其作品的直降。所以,收藏者要保持冷靜的頭腦,給藝術(shù)本體以足夠的重視。
The market price of some calligraphy and painting may rise or fall due to temporary social environment or accidental events, for example, the resignation of calligraphy and painting officials will lead to a direct decline in the price of their works. Therefore, collectors should keep a cool head and pay enough attention to art noumenon.

2、書(shū)法水平的高低
2. The level of calligraphy
老一輩藝術(shù)家張仃曾呼吁“守住畫(huà)的底線”,這個(gè)底線就是書(shū)法。書(shū)法表現(xiàn)在國(guó)畫(huà)中,一是書(shū)法用筆,二是題跋書(shū)寫(xiě)的藝術(shù)美。畫(huà)講究書(shū)法用筆,“以書(shū)入畫(huà)”是古代畫(huà)家一直在實(shí)踐和追求的。“骨法用筆”指的就是書(shū)法用筆。蘇東坡、倪瓚、徐渭、黃賓虹等都是以書(shū)入畫(huà)的高手。
Zhang Ding, an older artist, once called for "keeping the bottom line of Chinese painting", which is calligraphy. Calligraphy is shown in traditional Chinese painting, first, the use of calligraphy pen, and second, the artistic beauty of inscription and postscript. Chinese painting pays attention to the use of calligraphy, and "painting with calligraphy" has been practiced and pursued by ancient painters. "Skeletal brush" refers to the calligraphy brush. Su Dongpo, Ni Zan, Xu Wei, Huang Binhong and others are masters of painting with calligraphy.
書(shū)法是一門(mén)需要長(zhǎng)年累月練習(xí)的藝術(shù),寫(xiě)書(shū)者要平心靜氣才行。現(xiàn)在好多畫(huà)家不注重書(shū)法的練習(xí),也不重視筆墨,導(dǎo)致畫(huà)面沒(méi)有筆墨的氣韻,甚連款都不敢落,提筆露怯,這樣的作品或藝術(shù)家就不算是潛力股。同樣的作品,題跋較長(zhǎng)者比窮款者價(jià)值要高一些。
Calligraphy is an art that requires years of practice. The writer should be calm. Nowadays, many painters do not pay attention to calligraphy practice and brush and ink, which leads to the lack of the charm of brush and ink in their paintings. They even dare not pay attention to money, and show timidity in drawing. Such works or artists are not potential stocks. For the same works, those with long inscriptions and postscripts are more valuable than those with poor money.
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